Those who are familiar with George R.R. Martin's Song of Ice and Fire fantasy series may be lamenting the end of the semi-faithful Game of Thrones television show. In the time we’ll all have to wait until the next Song of Ice and Fire book comes out, there are other little stories from this author to satiate our appetite. Nightflyers is a short novella by Martin that also seems to be hinging itself on the success of Game of Thrones, albeit in the science fiction genre instead of high fantasy.
Considering how verbose Martin can get with his works, it was almost refreshing to read a story that was so focused and short. Granted, even though Nightflyers is science fiction, all of the notable George R.R. Martin elements were present: mainly, sex and violence. Depending on your tolerance of these elements, I can say that they’re at least naturally integrated with this novella. Martin certainly seemed to have an adequate grasp of sci-fi to give this story a satisfying twist that drove the plot into the denouement.
Without giving too much away, I did appreciate the science (and pseudo-science) that was used to create an interesting story. Or, at least, the story was written in such a way—with a dash of horror sprinkled in to engage the reader—that prevented me from being bored with it. If it had been expanded out into a full-size book, I’m sure I could see where plenty of fluff could have been added in to reach the required word count. In the end, I’m glad that Martin kept this short, which works primarily to the story’s benefit.
A quintessential George R.R. Martin sci-fi novella, I give Nightflyers 4.0 stars out of 5.
I liked Michael Crichton's writing. And what I mean by this is that I liked Jurassic Park (and to a lesser extent, The Lost World). Recently, I’ve been delving into a few of his other works, like Timeline and Micro. I understand that authors like Crichton excel in their genre—in this case, the technological thriller—but at what point does it just become the same old song and dance? Sure, I know a different author completed Micro and released posthumously. However, it mostly just felt like another re-hash of Jurassic Park mixed with Honey, I Shrunk the Kids (1989).
To Crichton’s credit, I feel his exploration of complex scientific principles in his writing are easy to understand and mostly accurate. For Micro, each bit of information that drove the plot seemed to make sense from a scientific standpoint. This was a plus considering how often the “shrink ray” sci-fi trope is done incorrectly. Of course, most places were pretty obvious where the science was being inserted since they didn’t necessarily flow as well as the other parts of the book.
My main qualm with Micro, aside from it containing all the standard Crichton tropes (e.g., “evil corporations”), is how the characters were practically indistinguishable from each other. The fact that they all primarily came from the same scientific laboratory and were thrust into the dangerous world of the microscopic didn’t help to keep track of who died and who lived. It was almost as if the author needed a large group of faceless characters to feed into the “drama” of trying to survive and return to standard size. None of their demises stuck with me other than being particularly grotesque and cringe-worthy.
A semi-unoriginal mashup of Jurassic Park and Honey, I Shrunk the Kids, I give Micro 3.0 stars out of 5.
Of the original Star Wars trilogy, Return of the Jedi has been my favorite for as long as I can remember. I enjoyed how there was some finality to the stories started back in A New Hope, and Empire Strikes Back. Plus, there were a ton of neat creatures (like the Rancor and Sarlacc) and machines (like the Speeder bikes and AT-STs) that grabbed my attention from a young age. Sure, I can understand the depth of Empire Strikes Back now that I’m an adult, but Return of the Jedi always holds that element of nostalgia for me.
So, how does the Shakespearean version of my favorite Star Wars story stack up? If anything, Shakespeare’s The Jedi Doth Return is consistent with its predecessors, Verily, a New Hope and The Empire Striketh Back . I enjoyed the voice acting and the little changes that made the audiobook more than just a Shakespearean reading of the screenplay. Of course, having listened to three books of this fantastic mashup, it has almost overstayed its welcome. Almost. I still think it’s a genius fusion of two pop culture masterpieces, but at what point does it lose its originality?
Sure, The Jedi Doth Return adds some new bits like songs (which land just about as well as the “added” songs in the 1997 Special Edition re-release). Overall, though, I was a little taken aback at how little dialogue there was in it. Most of the action was described either in chorus or soliloquy, which merely highlighted how much action was present in the original movie. This is great for an action-packed conclusion on the big screen, but it doesn’t land quite as well on the printed page (or audiobook). Despite this, I still think fans of either Star Wars or Shakespeare (or both) should give it a read.
Another consistently funny mash-up of archaic speech and futuristic sci-fi, I give Shakespeare’s The Jedi Doth Return 4.5 stars out of 5.
I said it for my review of Shakespeare’s Star Wars , and I’ll say it again: this combination of old verbiage and meter with popular science fiction is a match made in heaven. The follow-up to the first part of the original trilogy, Shakespeare’s The Empire Striketh Back continues to be an amusing exercise that anyone who loves Shakespeare and/or Star Wars will enjoy. Some consider Empire to be the best part of the original trilogy, and its adherence to the plot won’t disappoint. Additionally, the audiobook version continues to use music, sound effects, and voice acting to recreate an experience as close to the source material as possible.
While the audiobook did provide a robust experience of the text (especially the voice actors who recreated Han Solo and C-3PO’s speech patterns), the author’s explanation at the end made me realize there were some aspects that weren’t quite as clear as they would have been if I had just read the book normally. For instance, Yoda’s typically backward speech wasn’t as backward as I would have thought—mostly because the Shakespearean cadence sounds a little backward. Instead, Yoda spoke in haiku, which I’m sure would have been more evident if I was reading the words on the page.
As I mentioned above, Empire is the favorite of many Star Wars fans. However, I’m one of the rare few (like the author) who find Return of the Jedi to be their favorite of these first three films. Consequently, since this book held close to the original plot, it seemed to sag a little between the opening act on Hoth and the third act in Cloud City. At least the added soliloquies from ancillary characters like the AT-AT walkers, random Stormtroopers, and the dangerous creatures of the universe added in some humorous elements to the narrative that weren’t strictly canon.
A fantastic audiobook that still might require a read-through, I give Shakespeare’s The Empire Striketh Back 4.5 stars out of 5.
An excellent adult Sci-Fi novel in a future where to join humanity's military, the CDF, you must be 75 years old. Interesting takes on aliens, human interactions with other species, and combat. Be warned, there are sections of this book that go quite in depth about the background of certain story elements and they can seem long winded, but they all contribute to the story at large. Great read and hard to put down once you've found a little traction.
One of my qualms with the start of Isaac Asimov’s Foundation series was how different the stories were from each other. Each was set in the same universe but failed to have much of a cohesive narrative that tied them all together. While Foundation covered five different short stories, its sequel, Foundation and Empire managed to whittle this method of storytelling down to twonovellas. The result was a clear improvement in clarity and focus as each half of this book only covered a single plot each.
In Foundation and Empire, I finally was able to read a story that stuck with me in this series. Up until this point, I probably couldn’t tell you the premise of any of the short stories in Foundation, let alone the plot of the first half of this book. However, once this book transitioned over from topics that were more in line with science into ones that had a more fictional bend, I found the narrative to be much more enjoyable. It’s almost a shame that the whole book wasn’t an exploration of the universe presented in the second half.
Even if it took a book and a half for me to warm up to this series, I could honestly say that “The Mule” piqued my interest and will likely contribute to my continued reading of the Foundation series. This was probably because this particular half of the book introduced a clear antagonist to the story. It’s not that other stories in the series up until now didn’t have antagonists, it’s more that they weren’t an individual villain up until now. Now things are getting interesting!
A natural evolution of Foundation and an improvement on its predecessor, I give Foundation and Empire 3.5 stars out of 5.
For years, people have asked whether or not I have read the penultimate science fiction series that is Isaac Asimov’s Foundation. Up until now, I could not say that I had. While I knew the series by its name, I hadn’t ever heard any comparisons or even knew what these books were about. This probably should have been my first indication of what to expect. I wasn’t expecting anything other than its notable status as a pillar of classic sci-fi. If anything, the fact each “section” of Foundation is its own short story says volumes about the origin of the genre.
Set within the same universe, Foundation follows five different groups across the timespan of a couple hundred years. Asimov explored a few different concepts and spent most of this book in world-building mode. I’ll applaud his ability to remain fairly consistent across these different stories, but the fact that there isn’t much that ties them together is the main issue I have with this book. Because they’re mostly five separate short stories, there’s not too much “action and consequence” between the different sections. This is what I would expect from a book with a standard three-act structure plot.
Additionally, I think the science fiction stories I tend to enjoy lean more on the “space opera” side than where Foundation lies. The fact that Foundation dives so deep into heady—and often controversial—topics like religion, politics, and economics is probably what lost my interest. Sure, there are some neat applications of technology that drives these topics. However, since it felt more like an academic lecture instead of an entertaining read, I glossed over a lot of the details. Maybe the other books in the series remedy this but for Foundation I just kind of felt “meh” about it.
An OK start to a highly-lauded science fiction series, I give Foundation 3.0 stars out of 5.
If things hadn’t already turned dark in Westeros, they certainly do in A Storm of Swords. The complicated political situation in the end of A Clash of Kings gets even more complicated as this third book dives into complex armies, weddings, wars, and so much more. George R. R. Martin’s writing may be dense, but I have never encountered a fantastical world as deeply developed as his. A Storm of Swords is jam-packed with intrigue and excitement, and it left me wanting more. I would recommend this book even if you have already seen the show; reading the books adds a whole new dimension to the characters, the plot, and the world.
With this dystopian society reversing positions in society, firefighters burn books and light houses on fire. Montag, a veteran firefighter, soon meets a girl who changes his mind about life, books, and his job. Soon, this mystery girl disappears and Montag soon sets out on a risky adventure to solve the mystery of his lost friend. With him betraying society, reading intriguing literature, and meeting new friends, the society is out to find Montag. Will he escape into the unknown world or will he be caught with his fate unknown? This book is an adventure worth reading!
Reviewer Grade: 9th
Leviathan Wakes is the first novel in the science fiction series, the Expanse. It follows the stories of Jim Holden and Detective Miller as they attempt to uncover a plot to start a war within the planets. This book is incredible. Every character feels alive and unique, and you really begin to connect with them as the plot moves forward. The plot itself is stellar, and is relentless in its suspense, intrigue, and action. I would highly, highly recommend to anyone who loves science fiction, or is just looking for an amazing book to read.
In Mary Shelley's classic novel "Frankenstein", a young ambitious scientist decides to play God and, in the process, creates a monster. As the monster struggles with self-identity and the meaning of his life, he enacts revenge on his creator by destroying everything he loves. Any time you dive into a classic novel, it can be difficult to keep your expectations from getting too high. This novel met pretty much all of mine -- the rich character development of both Frankenstein and the monster, the excellent use of suspense and foreboding to create tension, and the well-paced action. There were definitely some slow parts, but that's mostly because the writing style has changed so much between then and now. However, the multiple perspectives helped keep things moving when they began to slow down. I really enjoyed this novel but I had one fairly big complaint: the ending felt rushed. I felt that we were building up to a much more action-packed ending, but things fizzle out very quickly and the novel ends on a strangely unsatisfying note. I think that there could've been more time spent creating a strong conclusion to a really strong story. Besides that, this classic is excellent and definitely worth a read.
Grade: 12
The sequel to I am Number Four is just as thrilling and action packed as the first. John, Sam, and Six set out as fugitives and work to find the others as we meet Seven. Seven is also known as Marina and lives in a convent/orphanage in Spain while she convinces her Cepan to rejoin the fight and develops her legacies. Complete with numerous battles, close escapes, incredible powers, and fun characters, The Power of Six is an excellent read for any middle or high schoolers.
Lord of Light, winner of the 1968 Hugo award for best novel, is a fascinating excursion into a expertly crafted science fiction world involving both Hindu mythology and the struggle to free humanity from the oppressive rule of false gods. This book is exciting as well as thought provoking and an overall interesting read. The characters are well flushed out, the setting is both believable and fantastical, and every instant of the book engaging. For those not familiar with Zelazny's writing style, the book may become confusing at certain points. However, the reader is never lost completely and can easily catch back up with the story. This book is a must read for those interested in the science fiction genre.
Wade Watts, a high school student like any other, starts his journey off in the slums of a world on the verge of economic and social collapse. In an attempt to escape the seemingly bleak world, many turn to the Oasis, an augmented version of virtual reality where the impossible is possible and people can become something other than what they are in the real world. The creator of the Oasis meets his untimely death due to a terminal illness, and in turn leaves behind his fortune and most prized possession, control of Oasis. The catch is, all you have to do is find his little “Easter Egg” within the vast world of the Oasis by finding keys linked to his favorite pastimes, such as old arcade games. It having been a long time since the announcement of this and now leads found, very few still pursue the egg. Wade Watts is one of them.
After discovering the first key on an online school’s virtual planet, Wade and the many others he meets along the way race to find the egg before the other hunters and the huge corporation, IO; in this science fiction world designed by Ernest Cline. I greatly enjoyed this book due to the vast worlds within his virtual one that he has illustrated for his audience.
Darrow was captured and his identity revealed, the leader of the Sons of Ares was killed, and now the future of rebellion looks bleak. Darrow, now in a state of grief and failure, his body withering away as he waits for his execution, is rescued and given a second chance to realize Eo’s dream; to topple the corrupt society that stole everything from him. Now the leading force and face of the rebellion, Darrow has many struggles that await him in the final book in the Red Rising Trilogy. I greatly enjoyed this book due to how the many underlying plots are tied off in the end of the series as well as the resolution of each character’s internal struggles. Pierce Brown builds on many previous sub plots that as the reader you might forget, marvelously tying this book in with the rest of the series.
H.P. Lovecraft is commonly known as one of the titans of horror, one of the pioneers of the genre who influenced people such as Stephen King, and has even inspired several video games, such as Bloodborne. At the Mountains of Madness is considered Lovecraft's magnum opus, his best work to date. It is a novella telling the story of a small group of geologists, aviators, and explorers who travel to Antarctica in search of unique rock specimens. While there, however, they encounter several horrors, including unearthing ancient specimens known as Old Ones, a decadent, purely weird city built by the Old Ones themselves, and even giant albino penguins. This novella is truly horrifying, as the suspense Lovecraft is able to build through usage of the setting is gripping. If one is looking to begin reading Lovecraft books, this one is a great entry point, as it introduces the reader to the Old Ones, the Necronomicon, and even Cthulhu himself. I would recommend to anyone who loves horror novels, or anyone who wants to read Lovecraft.
"Animal Farm" by George Orwell is about a seemingly normal farm that turns against their farmer. The animals take over the farm with the help of their leaders who are pigs. After all the humans are gone from the farm they continue under the rule of the pigs and create a system of rules to follow as a guideline for their new life. Everything goes well until one of the pigs, Napoleon, uses the dogs he trained to remove the other leader, Snowball, from the animal farm. With Snowball gone Napoleon takes complete control of the farm. He alters the rules made by Snowball, abuses his power, and makes poor decisions that negatively affect the other animals. One of their rules/guidelines was that humans were evil and not to be associated with.
Napoleon breaks that rule many times starting with making a trade of wood with another farm run by a farmer. They get scammed from the exchange with the human, but that doesn't stop Napoleon from dealing with humans. He goes to the extent of not telling the fellow animals the truth and putting all pigs above everyone else. From there things get progressively worse until Napoleon eventually befriends the humans along with the other pigs. They become so much like the humans that it gets to the point that the pigs are basically humans.
I would recommend the book. "Animal Farm" is interesting and in my opinion is in a sense satire, so I really enjoyed it. I read this book because I was planning on reading 1984 by the same author for a BTS theory and wanted to read other books by George Orwell. I kind of could relate to some of the animals because when they disagreed with Napoleon they brought up good points, but no one listened to them. The ending is very surprising and the book isn't predictable.
After the refreshing sci-fi The Long Way to a Small, Angry Planet , I was ready to follow the crew of the Wayfarer to their next adventure. Unfortunately, the sequel, A Closed and Common Orbit, decided to take a path more akin to The Godfather Part II (1974). Instead of following the main characters of the first story, this sequel delved into the new life of the AI now known as Sidra, while also interspersing a quasi-related prequel story of one of the new characters introduced in this book. Fortunately, these two stories were well paced against each other.
Even though I feel readers could pick up this book without having read The Long Way to a Small, Angry Planet, there are certainly a few details about the diverse races found in this universe left out of this book—probably for the sake of brevity. This didn’t necessarily detract from the enjoyment of A Closed and Common Orbit, but having that previous knowledge certainly helped to bring these alien creatures to life in my mind. Still, the main characters are basically humans, so the interactions with the aliens would be the main reason to know how these creatures communicate.
While this book is only tangentially related to the one that proceeded it in the series, the universe the author has created is solid enough to support a few more additional stories like the ones found here. With fewer characters to focus on in this book, A Closed and Common Orbit was able to dive deep into some pretty heavy topics, including child slavery and artificial intelligence. The writing still retains its casual dialogue style that genuinely helped bring these few characters to life. If anything, the author’s writing is what will keep me coming back to this series.
A mostly unrelated, but still expertly written sequel, I give A Closed and Common Orbit 4.0 stars out of 5.
The classic tale of mystery and horror is also one that is an extremely entertaining read. While it may not be the scariest novel ever, the mere ideas that it presents are certain to make one a bit uneasy. The plot is iconic: Victor Frankenstein, aspiring philosopher and scientist, creates a horrifying monster out of dead bodies and reanimates it from the dead. The monster then goes on a murderous rampage after being rejected by his very creator. The novel is very good, and the message it presents, of not overreaching for knowledge, is a timeless one. The only downside to this icon of horror is that some chapters tend to drag, and have little purpose. However, this is not a huge detriment since the rest of the novel is so entertaining. I would recommend to thriller or horror enthusiasts.
This book was amazing. It is a must-read for Si-Fi and Star Wars fans.