Fiction
Nonfiction
The Phantom of the Opera by Gaston Leroux is a beautiful, classic novel that has an extremely compelling story. The book is about a Parisian opera house that is “haunted” by a mysterious and alluring phantom. The phantom falls in love with soprano Christine Daaè which causes a ton of trouble for the opera house. It is a story about romance, obsession, suspense and mystery. The book was extremely interesting and thought provoking. I would definitely recommend this book to anyone who is a fan of classic literature or the Broadway musical. The story does go more into depth in Christine’s childhood and the phantom’s backstory. I also enjoyed the psychological suspense aspect of the story as well. This book was very detailed and at some points extremely complicated, which made that story even more interesting. There were some boring parts, but most of the time the book kept me engaged. This book is a somewhat hard book because of it’s old fashioned style of writing that may not appeal to the younger reader.
There is no swearing in this novel. Overall, I would recommend this to an older teen who has an interest in Broadway based stories.
Love, Lucy by Lucille Ball is an amazing depiction of the iconic bombshell actress, Lucille Ball. It is an autobiography and describes her early life, family dynamics, acting career, marriages, and divorces. I found the story to be quite inspirational and it is now one of my favorite books. I thoroughly enjoyed learning about what her life was like. In her early career, she wasn’t considered to be an exceptional actress and was told that she was untalented and would not be hired. Amazingly, she is now one of the most iconic female comedians of all time for her work on the show “I Love Lucy”. I have a newfound respect for her and her work after reading this book.
This book really speaks to the dreamers. If you’ve ever had someone tell you that you’re not good enough at the thing you love to do it professionally, read this book! One of the most interesting parts of the book is when Lucille depicts going to an acting school in New York City. After the first term, she was kicked out because she “didn’t have what it takes”.
As we all know, she ultimately proved them wrong. Her story is one of success when barely anyone believed in her.
I would recommend this book for ages 10+. It did not have an swearing in it and the book was easy to read. It is 286 pages which might be a little long for the younger readers.
The autobiography “Love, Lucy” by Lucille Ball is an amazing and inspirational story about the immensely talented actress who defied early critics to become a leading lady in American television.
Mobs-Dick, or The Whale by Herman Melville is a novel, in which the narrator, Ishmael, befriends Queequeg, a South Seas harpooner, and together they look for a whaling crew. Eventually, they join Captain Ahab aboard the Pequot.
Ishmael soon finds that Ahab had lost his leg and vessel to a powerful whale, who is called Moby-Dick. The captain and his crew sail around the world to hunt down the whale for revenge. The book does have a very deep and ambitious theme, as Herman Melville addresses many controversies throughout his writing, with subtle remarks. The characters and plot fit perfect together and everything is well developed with some sort of backstory. My only problem with this book is that it includes many useless and boring chapters. They don't add anything to the story, and while they attempt to bring up a deep topic, they completely and utterly fail to. Overall this book is decent and definitely aspires to be the "mighty book" that it's meant to be. I would recommend it to people who like high seas adventure novels.
Grade: 8
Thr3e by Ted Dekker (great title after reading the book) is one of the greatest murder mystery novels out there. The book begins with the main protagonist, or so it seems, Kevin Parson. He receives a phone call from a psychopath in Killer named Slater saying that he has three minutes to confess his sin to the world or else his car will blow up. This is just one of the many events that take Kevin, Samantha, his greatest friend, and Jennifer, an FBI agent, through a world of mystery and motives. The twists and turns are the main attraction of this novel, as the reader won't expect what comes next. Character backstories also play a gigantic role in this novel, and all of them are well crafted to fit the plot. Anyways, I would recommend it to anyone willing to take the time to read a book.
Grade: 8
I love this book. The magic surrounding Tita and her cooking is at times beautiful, funny, and heartbreaking. This book is told by Tita's great-niece and one can imagine the magic as real or as a result of storytelling. Your choice. Either way, this captivating quick read is a must.
Just like Xenocide before it, Children of the Mind is difficult to separate from the previous books in the Ender’s Game series. In fact, Xenocide and Children of the Mind are considered by Orson Scott Card to merely be two parts of the same book, separated at a point in the plot that makes sense.
Even further to the point, I would consider Children of the Mind the last “part” of a story that stretches across four books. While it was easy to take Ender’s Game by itself, every additional piece of the story needs the previous parts for it to have the full impact of what Card was trying to accomplish.
What’s most interesting about this series is how each book has a different focus, almost putting them in distinct genres. Ender’s Game was militaristic sci-fi, while Speaker of the Dead was more along the lines of a mystery. And while Xenocide was the philosophical heart of the series, Children of the Mind was almost a romance in comparison. I appreciated the loose strings and sub-plots being tied up by the end of Children of the Mind, especially when it came to defining the relationships between the characters I had come to know over the last few books.
Even though the basic plot of these last three books was a simple “avoid destruction” motif, the complexity of the whole scenario did require the amount of text dedicated to it. Each element of these stories came into play in some fashion to create a satisfying ending. I’m still in awe of the technological foresight and brilliant solutions to fundamental physics limitations that Card was able to develop in these four books. I rarely have found a series that has been so consistently good across all parts of its story, and I believe the saga of Ender Wiggin is now my new favorite.
A satisfying ending to an incredible series of books, I give Children of the Mind 5.0 stars out of 5.
Much like authors Jules Verne and H.G. Wells were well ahead of their time in their science fiction writing, Orson Scott Card once again shows that he understood some of the key concepts of our universe. Written in 1991, Card’s Xenocide deepens and furthers the continuing adventure of Ender Wiggin that he began back in Ender’s Game . Picking up where Speaker for the Dead left off, Xenocide adds a powerful adversary while also tying plot points back to the first book in the series. In this sense, the tight intertwining of Xenocide with its predecessors makes it difficult to separate and review by itself.
I appreciate what Card has done by creating a multi-book narrative that requires the reader to have started from the very beginning of the story.
While Xenocide is not nearly the end of the series, as made clear by the astounding twist near the end, it does pull enough unresolved threads from Ender’s Game and Speaker for the Dead to create the next segment of the story. In this sense, the whole story is a multi-book epic so well-written that no detail or specific piece of continuity is overlooked. Plus, with so much history behind it, Xenocide reads at a frenetic pace, just trying to “beat the clock” of an almost assured planetary destruction.
Surprisingly, if you told me that there was a sci-fi book comprised almost entirely of dialogue and profound, philosophical arguments, I would probably assume it was boring (or at least written by Robert Heinlein). And yet, Card has brought the reasoning proposed in the previous books of this series and pulled them through to their logical conclusions, creating an engaging discussion of artificial intelligence and sentience, while wrapping the whole thing in the context of moral arguments for and against exterminating an entire species. There are no easy answers in this book, but Card has masterfully included concepts like cloud computing, interdimensional travel, and genetic engineering to get his point across.
A fantastic continuation of Ender Wiggin’s story that leaves the reader begging for more, I give Xenocide 5.0 stars out of 5.
Of course I loved this book since I too work in a public library. Most of the stories, I have experienced from time to time. And could probably add a few! But I am so glad, that no one has ever taken off their shoe and asked me if their foot was inflamed or infected!! LOL! Now that I have said this, it is probably going to happen. But anyway, this is a great book for anyone who wants to know what it is like to work in a public library. Along with the crazy, funny stories, there are some nice ones where someone's life was changed for the better because of the library. That makes the job at the Reference Desk worth it!
The Boy Who Harnessed the Wind, by William Kamkawamba and Bryan Mealer is a nonfiction book or biography that describes William Kamkwamba's rise to fame. He undegoes a transformation from being a poor farm boy to emerging as a creative, and intuitive inventor. The book exceeds at telling not about the facts of William Kamkawamba's, but rather, telling the reader about his story. In times of need, William decides to build a windmill to provide electricity for himself and his family. This gives him something to do and learn, as he is prohibited from going to school, thanks to poverty. The book then proceeds to tell the reader about inventions and ideas that have no impact on anything, and just seem like filler content. William then becomes famous and gets to go to school. Through the story, the book fails by providing no depth to any of the characters or real plot. While the book also tries to insist that the theme is about one bright idea lighting up the world, there is no evidence or real example of William influencing people. He just gets some money and gives electricity and better conditions to his
fellow townspeople. Overall the book is exciting at first, but once the creation of the windmill is over, the book becomes dry and dull. I can not
recommend this book to anyone else, as it was really a boring read.
The nonfiction book, The Great Escape, by Paul Brickhill informs the reader of life in a German Prisoner of War (POW) camp during World War II. Through many incidents, hundreds of POWs are collected and imprisoned in the camp Stag Luft III, but they eventually move to other camps. The book succeeds, as it feels like a fiction, adventure novel and doesn't bore you with facts.
It makes the reader feel as though they are with the prisoners and their captors, including Roger Bushell and the "Artful Dodger." Throughout the story of the prisoners, they make many attempts to escape, such as clipping through the prison wire and digging multiple tunnels. The POWs evasive tactics do eventually pay off, and the book describes how they escape and suffer through the horrible German torture methods for recaptured prisoners.
Overall, the book has been one of my favorite books, and I feel that people who like adventure will like The Great Escape.
Grade: 8
Mary Shelley's Frankenstein is a book about the horrors of creating life. The book succeeds in developing most of the sidecharacters. You learn in depth about all of their pasts, and the story fits together well. The tragic plot line of the book shows how the decisions made by Frankenstein, the creator of the monster, comes back to haunt him. It almost becomes a game of cat and mouse when Frankenstein chases around his creation for revenge when really, the monster is haunting Frankenstein for his own revenge. Most of the book's themes include loneliness and rejection, and are explained well throughout the back stories of the characters. I feel that the book's only weak point is how the characters face their end. While the characters do indeed learn many life lessons, they never really accomplish anything. None of the characters have sentimental deaths, other than Frankenstein; the book just tells the reader that the character you have just grown attached to...well, dies. The book moves on from their deaths, and then the cycle repeats for the rest of the book. Overall, Frankenstein is a really good book, and I'd recommend it to people that like horror or mystery fiction.
Grade: 8
Peer into the lives of a Pakistani couple whose Christianity is at odds with the more widespread Islamic beliefs of the locals. This is a story of intrigue and excitement as the plot slowly moves towards a head on religious collision when a local rickshaw driver falls in love with the widowed daughter of an Imam. A beautiful look at Pakistani cultural and religious differences. Wonderful, intense characters.
Read a story of family, loyalty, racial prejudice and the meaning of difference. Enjoy the individual triumphs and failures of several generations of one family and changes they experience as they live and learn. Find out about the old time gambling sport, pachinko and its effects on an extraordinary family. This is the kind of book that makes you miss your "friends" when you finish it.
Travel back in time and walk the lanes and byways, sail the seas, or straddle a horse and visit with a gamut of folks from queens and kings of European powers to courtiers, to merchants and villagers, to pirates and tradesmen. Get to know the characters in the fight for religious tolerance and witness the blood that was shed for this privilege. The struggle between Catholic and Protestant worshippers becomes real with the unspeakable cruelty among humans who believe their beliefs trump the beliefs of others. Call it the devil. An arduous but enjoyable read.
Kylie Chan mixes modern life with traditional Chinese mythology in her enthralling tale. The story follows Emma, a nanny for a young girl of a wealthy business man living in Hong Kong. As Emma becomes more and more connected with her charge, she become more entangled with a mystery that surrounds the household. She soon discovers that her employer is an ancient Chinese God, and is pursued by demonic forces. Kylie Chan writes with a faced-pace adventurous quality that keeps readers on their feet.
(Reviewer Grade: 12)
Adam Hochschild brings to light an important part of history that is largely ignored in relations to the horrors of the colonization of Africa. Hochschild follows, in detail, the formation of the Belgium colony in the Congo. His descriptions and the information he puts forth draws the readers in and highlights the travesty that King Leopold let loose on this part of Africa and its people. The details that Hochschild puts into his book reveals hidden intrigues that keep the readers engaged. And the history that Hochschild relates to the development of this colony allows readers to see the bigger picture. This book addresses key topics, like racism and slavery, that develop readers understanding of this time and the need to prevent similar situations in the future.
(Reviewer Grade: 12)
Ender's Game is an enthralling and thrilling sci-fi following a young boy as he is prepped to save the world. Ender departs for battle school at the ripe age of 6, where he is thrust into a world were children go head to head in a competition to be the best, fight in an all out war, and earn all the glory.
Although young and inexperienced, Ender is the best. But things seem to be stacked against him....
Orson Scott Card writes with incredible dexterity and Ender's Game pulls you into a new world.
(Reviewer Grade: 12)
A Wise Man's Fear is the second installment of the KingKiller Chronicles following The Name of the Wind. Rothfuss continues Kvothe's tale as he learns to navigate new worlds and new relationships. Unlike many sequels, A Wise Man's Fear is not lacking in adventure or astute characters. Having left the university, Kvothe faces assassination plots, powerful fey, and a trial by powerful mercenaries. In this book, we really see Kvothe become a hero and stretch his legend across the four corners of civilization. Rothfuss writes with the same dexterity as seen previously, and he always leaves you wanting more.
(Reviewer Grade: 12)
The Name of the Wind follows the story of Kvothe, a highly clever, not so childish kid who faces perils uncommon in this world and the next. Name of the Wind is not just another coming-of-age story. Rothfuss weaves an incredible story of intrigue. This book, while a little daunting at first, is worth every page. The use of language is masterful and Rothfuss manages to keep readers engaged every step of the way.
(Reviewer Grade: 12)
Much like short story anthologies by a single author (see Neil Gaiman’s Smoke and Mirrors and Ray Bradbury’s The Golden Apples of the Sun ), Welcome to the Monkey House is both quintessentially a collection of Kurt Vonnegut’s biting wit and satire as well as an exploration of other genres not often associated with Vonnegut’s style. Fans of Vonnegut will likely have already read some of these short stories (like “EPICAC” and “Tomorrow and Tomorrow and Tomorrow”), but some of the other stories might have been missed and for a good reason.
Overall, Welcome to the Monkey House is a fantastic set of stories, but a few of them fail to have the impact to make them memorable. Granted, these stories are few and far between, and help to break up the well-written social commentaries presented in “Harrison Bergeron” and the titular “Welcome to the Monkey House.” Vonnegut’s ability to show the slippery slope of such ideas as “everyone is equal” and “sex is bad,” respectively, is just as poignant in short form as it is in his novels. The fusion of technology in these stories might seem dated by today’s standards, but they do reveal that Vonnegut was, inherently, a science-fiction writer.
What this collection does well is show that Vonnegut understood the importance of the characters in a story. One of the most entertaining in this collection was “Who Am I This Time?” which contained characters at such extremes of human expression as to be completely unrealistic but somehow relatable and entertaining. Stories like this, which don’t necessarily follow the political or societal commentary that the other stories provide, are nice breathers that give the reader a smile instead of drilling thought-provoking ideas into their skulls. It’s this balance that truly makes Welcome to the Monkey House a must-read.
Vonnegut, true to form as well as outside his element, I give Welcome to the Monkey House 4.0 stars out of 5.