Comic Books / Graphic Novels

Ebo’s brother Kwame is missing. But Ebo knows where he’s gone: to find their sister. Life in Libya is hard, so Ebo and Kwame’s sister, Hannah, left and promised to send back money once she was installed in Europe with a new job and more money. But since she left, Ebo and Kwame have heard nothing from her. So when Ebo wakes up one morning and Kwame is gone, Ebo knows he must go after him. What follows is the harrowing, heartbreaking story of Ebo’s journey through dangerous cities, deserts, and the ocean.

Wow. Look, I cry a lot, and am no stranger to crying whilst reading. But this book made me sob. Like, uncontrollable tears running down my face. The refugee story is often a sad and intense one, and Ebo’s is certainly no exception. And then, when you think about Ebo’s story in the context of it being a real thing happening to real people in this world that we all share, and the US is actively turning away people in similar if not the same situation, well, its depressing. But importantly so. One must also consider the fact that thousands of children, thousands of people are dying, and no one seems to care. It’s a deeply sad book that will cause lots of introspection, but for me, that’s a good thing. This is an issue that needs more attention.

The stunning artwork added to the impact. Seeing Ebo’s expressions - the heartbreak, loss, and hope playing out across his face – made what was already an intense, powerful story all the more affecting. I loved pretty much everything about this book, and I hope you take the time to read it. 5 stars.

Thanks to Baker & Taylor, Netgalley and Sourcebooks for the free paper and electronic advance copies, which I received in exchange for an honest review. Illegal is available now – put your copy on hold today!

In this creative, futuristic graphic novel all technology has been stolen by a species known as the Pipers. When a young girl and two of her friends stumble into a hidden cache of robots, they become the targets of a wild chase. This book is exciting, unique, and includes a battle in outerspace! Recommended for grades 3-6.

Octavia Butler's Kindred broke so much ground both as a flawless time travel novel and visceral retelling of the slave experience. As an African-American author writing science fiction, her body of work changed the field while winning its top honors -- the Nebula and Hugo awards -- and the author herself was awarded a MacArthur genius grant. This graphic novel is an excellent introduction to her work, and is highly recommended for YA and adult readers alike.

Faith and the Renegades have just saved the world from a supervillain - but that fight didn't come without a price. The Renegades have now split up and are doing their own thing. Faith's ex, for example, is now starring in his very own reality tv show! Faith herself is posing as a Buzzfeed (ok, Zipline) writer by day whilst saving Los Angeles as a hero named Zephyr by night. Can she juggle a job and saving the city all by her lonesome?

I came into this comic without having read anything at all about the Renegades, and that was fine - you definitely didn't need prior knowledge of the Renegades to enjoy this comic. Faith was extremely likable; I think most readers, especially those of the lady-type variety, would see something of themselves in Faith. The real draw here, for me at least, was that Faith was not just a woman superhero, but a fat woman superhero which, needless to say, is something of a rarity. I really liked the way her body size was treated in the book. Faith is comfortable in her own skin and unapologetic about that to the point where her body size wasn't even really a thing. Which, in this reader's opinion, is how it should be.

The story itself was your standard superhero fare. After an initial mission of SAVING PUPPIES, Faith finds herself looking for other, possibly powered children that have been disappearing from the city. The artwork was really good, though I found it to be quite similar to that of other hero focused graphic novels. Faith has these amazing fantasy/dream sequences, and I preferred the art in those sequences to the main art as it was a bit more whimsical and different. I preferred the cover artist (look at that cover - so cute!) to both.

This would be a great intro to the superhero comic world for those that are interested but haven't given it a try. Otherwise, it was nothing special, but if the superhero genre is your thing, I don't think you'll be disappointed. 3 stars - I liked it!

This series is really a must-read for fans of modern fantasy, mythology and pop culture. The Wicked + the Divine takes place in a world where a phenomenon called the Recurrence occurs every 90 years, causing a Pantheon of twelve deities from across human cultures to awaken within the bodies of young adults, granting them tremendous superhuman abilities. They will be loved, they will be hated, but two years after awakening, they will all be dead. The year is 2014 and the Recurrence has come again, and this new crop of gods blurs the line between the way deities were worshipped in ancient times and the way humankind worships its popular icons in the modern day. Though they are reincarnations of figures from antiquity- Lucifer, Woden, and Minerva, for example- their personas and appearances invoke modern musical icons like Daft Punk, David Bowie and Prince, and their worshippers stalk their instagram feeds and attend sold-out concert-like performances of their miracles.

However, all is not divine within the ranks of the Pantheon. Skeptics dismiss their claims of "godhood" and "miracles" as delusions, hallucinations or special effects, and point to the last Recurrence - which took place during the 1920s - as the product of the same sort of hoax as those performed under the umbrella of Spiritualism during that era. And, these new gods have all the hormones, the petty selfishness and the capriciousness of the teenagers and young adults they used to be, only now they have superhuman powers at their fingertips, and the weight of the knowledge that for all their strength they will all die before two years have passed. The mysterious goddess Ananke, who exists outside the cycle of the Pantheon, is the only being who seems to understand the forces at work behind the Recurrence, and she acts as something of a guiding light for the gods, though a cryptic and guarded one, at best. Into this tumultuous mix enters Laura, our narrator, a god-obsessed superfan who idolizes the Pantheon to the point of distraction. Though Laura wants nothing more in this life than to be a god herself, she settles for attending their tours, buying their merchandise and following them obsessively on social media, getting as close to them as she possibly can. That is, until she unexpectedly befriends the young Lucifer at a concert and finds herself suddenly drawn into the beautiful, deadly and miraculous world of intrigue that surrounds the members of the Pantheon.

This comic is incredible, both in terms of its writing and worldbuilding, and its art, which is both stunning and incredibly consistent. It is also a wonderful example of diversity and inclusiveness in what is, essentially, a superhero comic - Laura is part of a loving biracial family, Lucifer is a polyamorous, genderfluid woman who is a dead ringer for Bowie, and representation of queer characters, women and people of color abound. I collect this comic religiously (hah!) in both its individual issues and its trades, and I really cannot recommend it enough. However, when our rating says M/Mature, we MEAN it. While there isn't much in the way of graphic sexual content, there is some gore, frequent adult language, and a whole lot of adult situations.

"Swamp Thing: Volume One, Raise Them Bones" is the beginning of Scott Snyder (author) and Yanick Paquette (illustrator)’s visceral, mythic run on the comic, which I recommend heartily to fans of horror/grotesque gothic stories.

Detailing the eternal conflict between the Green (plant life), the Red (animal life) and the Rot that would consume and twist everything, Snyder’s interpretation of Swamp Thing is full of haunting imagery and interesting worldbuilding. Later on, the comic run is taken over by Charles Soule, who does a lovely (albeit very different) job carrying on the story.

For now, though – renowned botanist Alec Holland has been chosen by the Green to shed his humanity and become their knight. Will he go willingly? And what will become of him now that he’s been claimed, whatever he chooses to do?

Warnings:

-- This book is suited for older audiences, in my opinion, and definitely not children. The illustrations are often what one might call “graphic.” Be warned. It is something of a horror comic.
-- If you like this first volume and keep on with the series, just know that during the Rotworld arc, "Swamp Thing" crosses over with Jeff Lemire’s "Animal Man." It may behoove readers to pick up "Animal Man: Volume Three, Rotworld," at least, in order to get a complete look at the story. :)

Real Rating: 4.5, rounded up. 6 stars for the Olympians!! Not so many stars for Orion and some of the other creative choices here regarding Diana's origins (that's personal, though -- you may disagree with me.) BUT THE OLYMPIANS, THOUGH.

Brian Azzarello’s work isn’t always my cup of tea, but I have to say I really appreciate a lot about his recent run on Wonder Woman, beginning with “Wonder Woman Volume One: Blood.” A lot of my appreciation for this comic stems from its creative portrayals of the Greek gods – Dionysus can twist the world as a proper god of madness, Apollo is made out of sizzling magma-ish sun stuff, with an obsidian skin hardened over his fiery insides, and Artemis is literally shaped out of fluid moonlight. It’s gorgeous, and a ton of fun. If you love Greek folklore but have always wanted to see Poseidon represented as a barnacle-crusted sea monster, this may be the perfect series for you. Cliff Chiang's art is also very modern and playful, which fits the optimistic tone of the book perfectly. Diana is fierce and loyal, here, a heroine truly worthy of the name “Wonder Woman.” Some of the characters didn't mesh with me so well (>:( I'm looking at you, Orion!!! Augh!!) but despite that I eagerly awaited every volume of this series as I was reading it, so… Consider it hereby recommended for the fun-factor alone. Watch Hera try ice cream for the first time! Watch Artemis run rampant through a tube station! ALL IN DC COMICS CANON! Yes!

"Grayson Volume One: Agents of Spyral" (by Tom King and Tim Seeley, illustrated by Mikel Janin), gifts readers with a remarkable glimpse into Richard Grayson's head. Formerly Robin, formerly Nightwing but CURRENTLY (as of this comic :P) infiltrating a super-secret web of spies at Batman's behest, Grayson of the acrobatics and charming banter has been tossed into an unfamiliar world of misdirection and the coldest of cold scheming. Here, the agency's morally twisted Hypnos implants allow spies to sneak memories and emotions into unsuspecting human minds, as well as alter their own appearances at will. Here, the former Boy Wonder plays at a dangerous balancing act, pretending to be a loyal to his new director -- a man who always technologically blurs out his own face -- even while living by the codes and ideals he learned from Batman on the rooftops of Gotham. At least in Gotham, the rot and criminal horror of things is plastered right there on the surface, and Richard has a decent enough idea who he can trust... And who he, himself, actually is.

I cannot recommend King and Seeley's Grayson run highly enough, to be honest. It's playful and funny one minute, and then genuinely heart-wrenching the next. It might be in part my affection for dear Mr. Grayson as a character, but... Coming from someone who doesn't usually enjoy spy stories, this series is EXCELLENT. I know it won't be everybody's cup of tea, but if you're interested at all in Robin/Nightwing/the guy who can be both sometimes, when it's needed, you might really get into this series.

“Through the Woods” by Emily Carroll is a comic book collection of whimsically morbid fairy-tales, each mostly self-contained but serving what I would call an important, human theme: the uncanny waits, and surrounds, especially where you wouldn’t expect it. I love the stark yet evocative art throughout this book, and some of the stories did manage to surprise me. I personally love testaments to the monsters under our beds, particularly those intended for adults, and if you do, too, you may carry something interesting away from this collection. At any rate, the art is gorgeous, feeling “classic” even as it’s so unique.

Writer Scott Snyder and artist Greg Capullo are each AMAZING in DC's just-ended Batman run, starting with "Batman Volume One: The Court of Owls." Seriously, amazing. These books are morbid and playful, working with Batman's psyche and the twisted fairy-tale that is Gotham in a way I think works really, really well. Bruce Wayne feels fully-realized and complicated, as a character, and a great many of the Bat Family get a chance to shine. I personally love Snyder's take on Batman's ensemble of villains, from the Joker (don't worry, he'll show up soon) to the infamous Crazy Quilt (yes, I'm serious.) The "Court of Owls" introduced in this first volume adds yet another layer of rot to this already twisted city, wonderfully developing both the Wayne family history and Gotham as a symbol. I'll leave you with a nursery rhyme repeated throughout the Court of Owls arc, to give you a feel for what sort of story is waiting for you here: "Beware the Court of Owls, that watches all the time, Ruling Gotham from a shadowed perch, behind granite and lime. They watch you at your hearth, they watch you in your bed. Speak not a whispered word of them, or they'll send the Talon for your head." Come on! If that isn't a recipe for fun Batman shenanigans, I don't know what is. :)